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Robinson Crusoe By Daniel Defoe

Robinson Crusoe, as a young and impulsive wanderer, defied his parents and went to sea. He was involved in a series of violent storms at sea and was warned by the captain that he should not be a seafaring man. Ashamed to go home, Crusoe boarded another ship and returned from a successful trip to Africa. Taking off again, Crusoe met with bad luck and was taken prisoner in Sallee. His captors sent Crusoe out to fish, and he used this to his advantage and escaped, along with a slave.

He was rescued by a Portuguese ship and started a new adventure. He landed in Brazil, and, after some time, he became the owner of a sugar plantation. Hoping to increase his wealth by buying slaves, he aligned himself with other planters and undertook a trip to Africa in order to bring back a shipload of slaves. After surviving a storm, Crusoe and the others were shipwrecked. He was thrown upon shore only to discover that he was the sole survivor of the wreck.

Crusoe made immediate plans for food, and then shelter, to protect himself from wild animals. He brought as many things as possible from the wrecked ship, things that would be useful later to him. In addition, he began to develop talents that he had never used in order to provide himself with necessities. Cut off from the company of men, he began to communicate with God, thus beginning the first part of his religious conversion. To keep his sanity and to entertain himself, he began a journal. In the journal, he recorded every task that he performed each day since he had been marooned.

As time passed, Crusoe became a skilled craftsman, able to construct many useful things, and thus furnished himself with diverse comforts. He also learned about farming, as a result of some seeds which he brought with him. An illness prompted some prophetic dreams, and Crusoe began to reappraise his duty to God. Crusoe explored his island and discovered another part of the island much richer and more fertile, and he built a summer home there.

One of the first tasks he undertook was to build himself a canoe in case an escape became possible, but the canoe was too heavy to get to the water. He then constructed a small boat and journeyed around the island. Crusoe reflected on his earlier, wicked life, disobeying his parents, and wondered if it might be related to his isolation on this island.

After spending about fifteen years on the island, Crusoe found a man's naked footprint, and he was sorely beset by apprehensions, which kept him awake many nights. He considered many possibilities to account for the footprint and he began to take extra precautions against a possible intruder. Sometime later, Crusoe was horrified to find human bones scattered about the shore, evidently the remains of a savage feast. He was plagued again with new fears. He explored the nature of cannibalism and debated his right to interfere with the customs of another race.

Crusoe was cautious for several years, but encountered nothing more to alarm him. He found a cave, which he used as a storage room, and in December of the same year, he spied cannibals sitting around a campfire. He did not see them again for quite some time.

Later, Crusoe saw a ship in distress, but everyone was already drowned on the ship and Crusoe remained companionless. However, he was able to take many provisions from this newly wrecked ship. Sometime later, cannibals landed on the island and a victim escaped. Crusoe saved his life, named him Friday, and taught him English. Friday soon became Crusoe's humble and devoted slave.

Crusoe and Friday made plans to leave the island and, accordingly, they built another boat. Crusoe also undertook Friday's religious education, converting the savage into a Protestant. Their voyage was postponed due to the return of the savages. This time it was necessary to attack the cannibals in order to save two prisoners since one was a white man. The white man was a Spaniard and the other was Friday's father. Later the four of them planned a voyage to the mainland to rescue sixteen compatriots of the Spaniard. First, however, they built up their food supply to assure enough food for the extra people. Crusoe and Friday agreed to wait on the island while the Spaniard and Friday's father brought back the other men.

A week later, they spied a ship but they quickly learned that there had been a mutiny on board. By devious means, Crusoe and Friday rescued the captain and two other men, and after much scheming, regained control of the ship. The grateful captain gave Crusoe many gifts and took him and Friday back to England. Some of the rebel crewmen were left marooned on the island.

Crusoe returned to England and found that in his absence he had become a wealthy man. After going to Lisbon to handle some of his affairs, Crusoe began an overland journey back to England. Crusoe and his company encountered many hardships in crossing the mountains, but they finally arrived safely in England. Crusoe sold his plantation in Brazil for a good price, married, and had three children. Finally, however, he was persuaded to go on yet another voyage, and he visited his old island, where there were promises of new adventures to be found in a later account.

Gulliver's Travels Jonathan Swift

Gulliver's Travels is an adventure story (in reality, a misadventure story) involving several voyages of Lemuel Gulliver, a ship's surgeon, who, because of a series of mishaps en route to recognized ports, ends up, instead, on several unknown islands living with people and animals of unusual sizes, behaviors, and philosophies, but who, after each adventure, is somehow able to return to his home in England where he recovers from these unusual experiences and then sets out again on a new voyage.

Book I: When the ship Gulliver is traveling on is destroyed in a storm, Gulliver ends up on the island of Lilliput, where he awakes to find that he has been captured by Lilliputians, very small people — approximately six inches in height. Gulliver is treated with compassion and concern. In turn, he helps them solve some of their problems, especially their conflict with their enemy, Blefuscu, an island across the bay from them. Gulliver falls from favor, however, because he refuses to support the Emperor's desire to enslave the Blefuscudians and because he "makes water" to put out a palace fire. Gulliver flees to Blefuscu, where he converts a large war ship to his own use and sets sail from Blefuscu eventually to be rescued at sea by an English merchant ship and returned to his home in England.

Book II: As he travels as a ship's surgeon, Gulliver and a small crew are sent to find water on an island. Instead they encounter a land of giants. As the crew flees, Gulliver is left behind and captured. Gulliver's captor, a farmer, takes him to the farmer's home where Gulliver is treated kindly, but, of course, curiously. The farmer assigns his daughter, Glumdalclitch, to be Gulliver's keeper, and she cares for Gulliver with great compassion. The farmer takes Gulliver on tour across the countryside, displaying him to onlookers. Eventually, the farmer sells Gulliver to the Queen. At court, Gulliver meets the King, and the two spend many sessions discussing the customs and behaviors of Gulliver's country. In many cases, the King is shocked and chagrined by the selfishness and pettiness that he hears Gulliver describe. Gulliver, on the other hand, defends England.

One day, on the beach, as Gulliver looks longingly at the sea from his box (portable room), he is snatched up by an eagle and eventually dropped into the sea. A passing ship spots the floating chest and rescues Gulliver, eventually returning him to England and his family.

Book III: Gulliver is on a ship bound for the Levant. After arriving, Gulliver is assigned captain of a sloop to visit nearby islands and establish trade. On this trip, pirates attack the sloop and place Gulliver in a small boat to fend for himself. While drifting at sea, Gulliver discovers a Flying Island. While on the Flying Island, called Laputa, Gulliver meets several inhabitants, including the King. All are preoccupied with things associated with mathematics and music. In addition, astronomers use the laws of magnetism to move the island up, down, forward, backward, and sideways, thus controlling the island's movements in relation to the island below (Balnibarbi). While in this land, Gulliver visits Balnibarbi, the island of Glubbdubdrib, and Luggnagg. Gulliver finally arrives in Japan where he meets the Japanese emperor. From there, he goes to Amsterdam and eventually home to England.

Book IV: While Gulliver is captain of a merchant ship bound for Barbados and the Leeward Islands, several of his crew become ill and die on the voyage. Gulliver hires several replacement sailors in Barbados. These replacements turn out to be pirates who convince the other crew members to mutiny. As a result, Gulliver is deposited on a "strand" (an island) to fend for himself. Almost immediately, he is discovered by a herd of ugly, despicable human-like creatures who are called, he later learns, Yahoos. They attack him by climbing trees and defecating on him. He is saved from this disgrace by the appearance of a horse, identified, he later learns, by the name Houyhnhnm. The grey horse (a Houyhnhnm) takes Gulliver to his home, where he is introduced to the grey's mare (wife), a colt and a foal (children), and a sorrel nag (the servant). Gulliver also sees that the Yahoos are kept in pens away from the house. It becomes immediately clear that, except for Gulliver's clothing, he and the Yahoos are the same animal. From this point on, Gulliver and his master (the grey) begin a series of discussions about the evolution of Yahoos, about topics, concepts, and behaviors related to the Yahoo society, which Gulliver represents, and about the society of the Houyhnhnms.

Despite his favored treatment in the grey steed's home, the kingdom's Assembly determines that Gulliver is a Yahoo and must either live with the uncivilized Yahoos or return to his own world. With great sadness, Gulliver takes his leave of the Houyhnhnms. He builds a canoe and sails to a nearby island where he is eventually found hiding by a crew from a Portuguese ship. The ship's captain returns Gulliver to Lisbon, where he lives in the captain's home. Gulliver is so repelled by the sight and smell of these "civilized Yahoos" that he can't stand to be around them. Eventually, however, Gulliver agrees to return to his family in England. Upon his arrival, he is repelled by his Yahoo family, so he buys two horses and spends most of his days caring for and conversing with the horses in the stable in order to be as far away from his Yahoo family as possible.

Ivanhoe By Sir Walter Scott

Four generations and approximately one hundred years had passed since the decisive Battle of Hastings in 1066. Richard the Lion-Hearted (1157-1199), now King of England, on returning from the Crusades, was made prisoner of the Duke of Austria, abetted by the machinations of Richard's brother, Prince John. Prince John hoped, by the help of his Norman confederates, to seize the throne.

Wilfred of Ivanhoe, son of Cedric, had been disinherited by his father for two reasons: because of his allegiance to Richard, the exiled King of England, and because of his romantic interest in Rowena, ward of Cedric, whom Cedric intended as bride to Athelstane, a descendant of Saxon royalty.

In the guise of the Disinherited Knight, Ivanhoe wins the tournament at Ashby-de-la-Zouche with the aid of the Black Knight and crowns Rowena his Queen of Beauty and Love. He suffers severe wounds in the contest and is ministered to by Rebecca, daughter of the Jewish moneylender, Isaac of York.

On the way home from the tournament the Saxon party, together with the Jews and the wounded Ivanhoe, are captured by De Bracy, who fancies Rowena as his wife. They are taken to the castle of Front-de-Boeuf and imprisoned there. The Black Knight, Locksley and his band, Cedric, and others attack the castle and, with the help of Ulrica, an old Saxon hag, succeed in freeing the prisoners. Brian de Bois-Guilbert, Knight Templar, escapes to Templestowe, taking Rebecca with him.

Rebecca, accused of sorcery, is sentenced to die as a witch. Ivanhoe champions her in a trial by combat against the unwilling Bois-Guilbert. Rebecca is set free when the Templar falls dead from his horse.

The Black Knight reveals himself as King Richard, Ivanhoe and Rowena are married, and Rebecca and her father leave England for Granada.

Oliver Twist Charles Dickens
Oliver Twist is born in a workhouse in 1830s England. His mother, whose name no one knows, is found on the street and dies just after Oliver’s birth. Oliver spends the first nine years of his life in a badly run home for young orphans and then is transferred to a workhouse for adults. After the other boys bully Oliver into asking for more gruel at the end of a meal, Mr. Bumble, the parish beadle, offers five pounds to anyone who will take the boy away from the workhouse. Oliver narrowly escapes being apprenticed to a brutish chimney sweep and is eventually apprenticed to a local undertaker, Mr. Sowerberry. When the undertaker’s other apprentice, Noah Claypole, makes disparaging comments about Oliver’s mother, Oliver attacks him and incurs the Sowerberrys’ wrath. Desperate, Oliver runs away at dawn and travels toward London.

Outside London, Oliver, starved and exhausted, meets Jack Dawkins, a boy his own age. Jack offers him shelter in the London house of his benefactor, Fagin. It turns out that Fagin is a career criminal who trains orphan boys to pick pockets for him. After a few days of training, Oliver is sent on a pickpocketing mission with two other boys. When he sees them swipe a handkerchief from an elderly gentleman, Oliver is horrified and runs off. He is caught but narrowly escapes being convicted of the theft. Mr. Brownlow, the man whose handkerchief was stolen, takes the feverish Oliver to his home and nurses him back to health. Mr. Brownlow is struck by Oliver’s resemblance to a portrait of a young woman that hangs in his house. Oliver thrives in Mr. Brownlow’s home, but two young adults in Fagin’s gang, Bill Sikes and his lover Nancy, capture Oliver and return him to Fagin.

Fagin sends Oliver to assist Sikes in a burglary. Oliver is shot by a servant of the house and, after Sikes escapes, is taken in by the women who live there, Mrs. Maylie and her beautiful adopted niece Rose. They grow fond of Oliver, and he spends an idyllic summer with them in the countryside. But Fagin and a mysterious man named Monks are set on recapturing Oliver. Meanwhile, it is revealed that Oliver’s mother left behind a gold locket when she died. Monks obtains and destroys that locket. When the Maylies come to London, Nancy meets secretly with Rose and informs her of Fagin’s designs, but a member of Fagin’s gang overhears the conversation. When word of Nancy’s disclosure reaches Sikes, he brutally murders Nancy and flees London. Pursued by his guilty conscience and an angry mob, he inadvertently hangs himself while trying to escape.

Mr. Brownlow, with whom the Maylies have reunited Oliver, confronts Monks and wrings the truth about Oliver’s parentage from him. It is revealed that Monks is Oliver’s half brother. Their father, Mr. Leeford, was unhappily married to a wealthy woman and had an affair with Oliver’s mother, Agnes Fleming. Monks has been pursuing Oliver all along in the hopes of ensuring that his half-brother is deprived of his share of the family inheritance. Mr. Brownlow forces Monks to sign over Oliver’s share to Oliver. Moreover, it is discovered that Rose is Agnes’s younger sister, hence Oliver’s aunt. Fagin is hung for his crimes. Finally, Mr. Brownlow adopts Oliver, and they and the Maylies retire to a blissful existence in the countryside.

Wuthering Heights By Emily Brontë

Wuthering Heights opens with Lockwood, a tenant of Heathcliff's, visiting the home of his landlord. A subsequent visit to Wuthering Heights yields an accident and a curious supernatural encounter, which pique Lockwood's curiosity. Back at Thrushcross Grange and recuperating from his illness, Lockwood begs Nelly Dean, a servant who grew up in Wuthering Heights and now cares for Thrushcross Grange, to tell him of the history of Heathcliff. Nelly narrates the main plot line of Wuthering Heights.

Mr. Earnshaw, a Yorkshire Farmer and owner of Wuthering Heights, brings home an orphan from Liverpool. The boy is named Heathcliff and is raised with the Earnshaw children, Hindley and Catherine. Catherine loves Heathcliff but Hindley hates him because Heathcliff has replaced Hindley in Mr. Earnshaw's affection. After Mr. Earnshaw's death, Hindley does what he can to destroy Heathcliff, but Catherine and Heathcliff grow up playing wildly on the moors, oblivious of anything or anyone else — until they encounter the Lintons.

Edgar and Isabella Linton live at Thrushcross Grange and are the complete opposites of Heathcliff and Catherine. The Lintons welcome Catherine into their home but shun Heathcliff. Treated as an outsider once again, Heathcliff begins to think about revenge. Catherine, at first, splits her time between Heathcliff and Edgar, but soon she spends more time with Edgar, which makes Heathcliff jealous. When Heathcliff overhears Catherine tell Nelly that she can never marry him (Heathcliff), he leaves Wuthering Heights and is gone for three years.

While he is gone, Catherine continues to court and ends up marrying Edgar. Their happiness is short-lived because they are from two different worlds, and their relationship is strained further when Heathcliff returns. Relationships are complicated even more as Heathcliff winds up living with his enemy, Hindley (and Hindley's son, Hareton), at Wuthering Heights and marries Isabella, Edgar's sister. Soon after Heathcliff's marriage, Catherine gives birth to Edgar's daughter, Cathy, and dies.

Heathcliff vows revenge and does not care who he hurts while executing it. He desires to gain control of Wuthering Heights and Thrushcross Grange and to destroy everything Edgar Linton holds dear. In order to exact his revenge, Heathcliff must wait 17 years. Finally, he forces Cathy to marry his son, Linton. By this time he has control of the Heights and with Edgar's death, he has control of the Grange.

Through all of this, though, the ghost of Catherine haunts Heathcliff. What he truly desires more than anything else is to be reunited with his soul mate. At the end of the novel, Heathcliff and Catherine are united in death, and Hareton and Cathy are going to be united in marriage.

Widowers’ Houses by George Bernard Shaw

The play comprises three acts:

In Act I a poor but aristocratic young doctor named Harry Trench and his friend William Cokane are vacationing at Remagen on the Rhine. There, they encounter fellow travelers: Mr Sartorious, a self-made businessman, and his daughter Blanche. Harry and Blanche fall in love and become engaged.

Act II opens with everyone back at home in London: Sartorius, is talking to Mr Lickcheese, whom he employs as a rent-collector, reveals himself to be a slumlord. He discharges Lickcheese for dealing too leniently with tenants. Trench and Cokane arrive to visit, but when Trench discovers that Sartorius makes his money by renting slum housing to the poor, he is disgusted and refuses to allow Blanche to accept money from her father after they are married and insists they must live on Harry's small income. They break up over this, after a bitter argument. Sartorius reveals that Trench's income depends on interest from mortgaged tenements and, therefore, is as dirty as the money made by Sartorious, but the lovers do not reconcile: Blanche utterly rejects Harry because of her wounded feelings.

In Act III, Trench, Cokane and Lickcheese return to Sartorius' house to plan a shady business venture (Trench, disillusioned and coarsened by knowing his income is tainted by its source, no longer takes the moral high-ground). In the final scene, notable for its erotic tension, Harry and Blanche reunite.

The Picture of Dorian Gray By Oscar Wilde

In his London studio, artist Basil Hallward puts the finishing touches on his latest portrait, that of a young man. Although Lord Henry, who is visiting with Basil, asks about the young man's identity, Basil declines to answer, noting his preference for secrecy. Basil never intends to exhibit the painting, because if he did, it would bare the deepest feelings in his soul. However, Basil lets slip that the subject of the portrait is Dorian Gray, who shortly thereafter pays the two men a house call.

Lord Henry immediately begins to influence Dorian, suggesting that he should treasure and guard his youth and beauty while he has them, because they will soon fade. Terrified of aging, Dorian wishes he could trade his soul to stay as young as he looks in the portrait; a short while later, he again wishes that he could stay young while the image in the painting aged. The portrait thus begins to take on a life-like existence; in fact, Basil's threat to burn the portrait is likened to "murder" and Basil prefers the company of the portrait to the real Dorian.

Dorian falls in love with a young actress, Sibyl Vane, a woman he barely knows. She plays a different woman at each night's performance, earning the label of "genius" from Dorian, who is as smitten with her acting more than with her personality. They become engaged, much to the surprise of Lord Henry and Basil.

The sweet, wholesome Sibyl discusses her engagement with her family. Because her mother is indebted to the theatre manager, Mr. Isaacs, for fifty pounds, she is against the marriage unless Dorian is wealthy; they do not know that he is. Sibyl's angry brother, James, is leaving for Australia, but he vows to kill Dorian if he wrongs his sister in any way. James also confronts his mother about gossip he has heard — that his mother and deceased father never married, which Mrs. Vane admits is true.

Dorian attends a performance of Sibyl's with Lord Henry and Basil, but the performance is terrible. Sibyl tells Dorian she can no longer act, because he has shown her a beautiful reality. Dorian is disgusted by her poor acting, because her performances were what drew him to her; he dismisses her and returns home. To his surprise, the portrait shows marks of cruelty around the mouth, lines that do not show on Dorian's face. He begins to suspect that his wish is coming true, so he vows to be good so that both he and the portrait can remain young. He, therefore, intends to apologize to Sibyl the next day and makes to marry her after all.

However, he is too late: Sibyl commits suicide at the theatre that night. Dorian first feels responsibility for her death, but then views it both as wonderful entertainment and a selfish act on her part. Lord Henry tries to keep Dorian's name out of the scandal. Dorian and Lord Henry spend the evening at the opera. The next morning, Basil arrives and expresses concern for Dorian, given the events of the previous day. Dorian, however, is completely unconcerned about Sibyl or her family; he wants to talk only of happy subjects. The next day, he covers his portrait and moves it to the attic, to which Dorian has the only key. He then settles in to read a yellow book sent by Lord Henry; the book becomes Dorian's blueprint for life.

Several years pass, and Dorian lives a hedonistic life according to the guidelines established by Lord Henry and the yellow book. While the face in the portrait has turned ugly, Dorian remains young, beautiful, and innocent. People talk about Dorian's "madness of pleasure" and his dreadful influence on the people around him, but that is of no consequence to him. Finally, when he is thirty-eight years old, Dorian shows the portrait to Basil, who begs Dorian to repent of his sin and ask that the wish be revoked. Instead, Dorian kills Basil and hides his body.

Blackmailing his old friend Alan Campbell, Dorian is able to dispose of Basil's body. An hour later, Dorian attends a party, but is bored and distracted. He then heads for an opium den and, out on the street, meets Sibyl's younger brother, who has been waiting for an opportunity to harm Dorian for nearly twenty years. Dorian makes a case for mistaken identity when he claims to have the face of a twenty-year-old and cannot be the man James is looking for. A woman in the street reveals that Dorian "sold himself to the devil for a pretty face," so James again pursues Dorian.

At his country estate one week later, Dorian entertains guests but believes James in hunting him. Dorian soon learns, however, that a man accidentally killed in a hunting accident is James, and so he feels safe.

The novel concludes six months later. Dorian and Lord Henry dine, and talk turns serious — Dorian talks of Basil, and Lord Henry reflects on a sermon he heard the previous Sunday while walking in the park. Lord Henry also inquires about the secret of Dorian's youth, which Dorian dismisses. Dorian then asks Lord Henry never to give the yellow book to anyone else. That evening, while Dorian examines the portrait, he decides to destroy it with the knife used to murder Basil. Soon after, Dorian's servants and a police officer find an old, ugly man lying dead on the ground in front of a portrait of a young and innocent Dorian.

Heart of Darkness Joseph Conrad

Heart of Darkness centers around Marlow, an introspective sailor, and his journey up the Congo River to meet Kurtz, reputed to be an idealistic man of great abilities. Marlow takes a job as a riverboat captain with the Company, a Belgian concern organized to trade in the Congo. As he travels to Africa and then up the Congo, Marlow encounters widespread inefficiency and brutality in the Company’s stations. The native inhabitants of the region have been forced into the Company’s service, and they suffer terribly from overwork and ill treatment at the hands of the Company’s agents. The cruelty and squalor of imperial enterprise contrasts sharply with the impassive and majestic jungle that surrounds the white man’s settlements, making them appear to be tiny islands amidst a vast darkness.

Marlow arrives at the Central Station, run by the general manager, an unwholesome, conspiratorial character. He finds that his steamship has been sunk and spends several months waiting for parts to repair it. His interest in Kurtz grows during this period. The manager and his favorite, the brickmaker, seem to fear Kurtz as a threat to their position. Kurtz is rumored to be ill, making the delays in repairing the ship all the more costly. Marlow eventually gets the parts he needs to repair his ship, and he and the manager set out with a few agents (whom Marlow calls pilgrims because of their strange habit of carrying long, wooden staves wherever they go) and a crew of cannibals on a long, difficult voyage up the river. The dense jungle and the oppressive silence make everyone aboard a little jumpy, and the occasional glimpse of a native village or the sound of drums works the pilgrims into a frenzy.

Marlow and his crew come across a hut with stacked firewood, together with a note saying that the wood is for them but that they should approach cautiously. Shortly after the steamer has taken on the firewood, it is surrounded by a dense fog. When the fog clears, the ship is attacked by an unseen band of natives, who fire arrows from the safety of the forest. The African helmsman is killed before Marlow frightens the natives away with the ship’s steam whistle. Not long after, Marlow and his companions arrive at Kurtz’s Inner Station, expecting to find him dead, but a half-crazed Russian trader, who meets them as they come ashore, assures them that everything is fine and informs them that he is the one who left the wood. The Russian claims that Kurtz has enlarged his mind and cannot be subjected to the same moral judgments as normal people. Apparently, Kurtz has established himself as a god with the natives and has gone on brutal raids in the surrounding territory in search of ivory. The collection of severed heads adorning the fence posts around the station attests to his “methods.” The pilgrims bring Kurtz out of the station-house on a stretcher, and a large group of native warriors pours out of the forest and surrounds them. Kurtz speaks to them, and the natives disappear into the woods.

The manager brings Kurtz, who is quite ill, aboard the steamer. A beautiful native woman, apparently Kurtz’s mistress, appears on the shore and stares out at the ship. The Russian implies that she is somehow involved with Kurtz and has caused trouble before through her influence over him. The Russian reveals to Marlow, after swearing him to secrecy, that Kurtz had ordered the attack on the steamer to make them believe he was dead in order that they might turn back and leave him to his plans. The Russian then leaves by canoe, fearing the displeasure of the manager. Kurtz disappears in the night, and Marlow goes out in search of him, finding him crawling on all fours toward the native camp. Marlow stops him and convinces him to return to the ship. They set off down the river the next morning, but Kurtz’s health is failing fast.

Marlow listens to Kurtz talk while he pilots the ship, and Kurtz entrusts Marlow with a packet of personal documents, including an eloquent pamphlet on civilizing the savages which ends with a scrawled message that says, “Exterminate all the brutes!” The steamer breaks down, and they have to stop for repairs. Kurtz dies, uttering his last words—“The horror! The horror!”—in the presence of the confused Marlow. Marlow falls ill soon after and barely survives. Eventually he returns to Europe and goes to see Kurtz’s Intended (his fiancée). She is still in mourning, even though it has been over a year since Kurtz’s death, and she praises him as a paragon of virtue and achievement. She asks what his last words were, but Marlow cannot bring himself to shatter her illusions with the truth. Instead, he tells her that Kurtz’s last word was her name.

A Portrait of the Artist as a Young Man By James Joyce

The novel begins with Stephen Dedalus' first memories, when he was about three years old. The fragmented lines are from a childhood story and a nursery song, and are linked with family associations, sensory perceptions, and pieces of conversation. In this opening scene, Joyce is presenting to us the genesis of a future artist's perception and interpretation of the world.

Moving from Stephen's infancy to his early days at Clongowes Wood College, a Jesuit boarding school for boys, Joyce focuses on three key incidents which significantly affect Stephen's personality. First, Stephen is pushed into an open cesspool by a bullying classmate, and, subsequently, he develops a fever which confines him to the school infirmary; here, he begins to discern that he is "different," that he is an outsider.

Later, when he is probably six years old, Stephen returns home to celebrate Christmas dinner with his family and is invited, for the first time, to sit with the adults at the dinner table. This extraordinarily happy occasion is marred by a heated political argument between Stephen's old nurse, Dante Riordan, and a dinner guest, Mr. Casey, leaving Stephen confused about the issues of religion and politics in the adult world.

On returning to school, Stephen accidentally breaks his glasses and is unable to complete his classwork. He is unjustly humiliated and punished by the cruel prefect of studies, but after receiving encouragement from a friend, Stephen bravely (if fearfully) goes to the rector of the school and obtains justice. The success of this meeting instills in him a healthy self-confidence and ennobles him, for a moment, in the eyes of his classmates.

After a brief summer vacation at his home in Blackrock, Stephen learns that his father's financial reversals make it impossible to return to Clongowes Wood; instead, he is enrolled in a less prestigious Jesuit day school, Belvedere College. Here, he develops a distinguished reputation as an award-winning essay writer and a fine actor in his school play. Despite these accomplishments, however, Stephen feels increasingly alienated from his schoolmates because of his growing religious skepticism and his deep interest in literature and writing. This feeling of isolation is intensified during a trip with his father to Cork, where he learns more about his father's weaknesses.

Stephen becomes increasingly repelled by the dead-end realities of Dublin life. Frustrated by his loss of faith in the Catholic Church, in his family situation, and in his cultural bonds, Stephen seeks to "appease the fierce longings of his heart." After wandering through the city's brothel district, he finds momentary solace with a Dublin prostitute. He is fourteen years old, and this is his first sexual experience.

After a period of "sinful living," Stephen attends an intense three-day spiritual retreat. During that time, he is overwhelmed by guilt and remorse; he believes that Father Arnall is speaking directly to him. Panicking, he seeks out a kindly old Capuchin priest, pledges moral reform, and rededicates himself to a life of purity and devotion. He fills his days with fervent prayers and takes part in as many religious services as he can.

Noticing Stephen's exceedingly pious behavior, the director of the school arranges a meeting to encourage Stephen to consider entering the priesthood. At first, Stephen is flattered, fascinated by the possibilities of the clerical life, but increasingly he is tormented by carnal desires. He finally realizes that his "inherent sinful nature" makes it necessary for him to reject a religious vocation.

Having made this discovery about himself, Stephen decides to enroll in the university, where he hopes to shape his destiny as an artist. This decision is immediately followed by a climactic "epiphany": he sees a girl wading in the sea; to Stephen, she embodies the attraction, the promise, and the abandon which he wishes to experience in life. It is at this moment that Stephen understands that he can only hope to gain this experience through a life of artistic expression.

Shortly thereafter, Stephen begins a new life as a young man in search of his own values and his own credo. In comparison with the other college students, Stephen often seems anti-social and more concerned with pursuing his own interests than supporting the causes of others. Even Stephen himself realizes that unlike most of his friends, he is unusually introspective. He is not the typical devil-may-care university student; he rejects the typical blind patriotic blather, and although he continues to respect the Catholic faith, he no longer believes that its tenets should govern his life. Through conversations with friends and a dean of studies, Stephen eventually develops his own aesthetic theory of art, based on the philosophies of Aristotle and Aquinas. Simultaneously, he concludes that if he is ever going to find his artistic soul, he must sever all bonds of faith, family, and country. He must leave Dublin and go abroad to "forge" his soul's "uncreated conscience."

"Rip Van Winkle" Irving

The story of Rip Van Winkle is set in the years before and after the American Revolutionary War. In a pleasant village, at the foot of New York's Catskill Mountains, lives the kindly Rip Van Winkle, a colonial British-American villager of Dutch descent. Rip is an amiable man who enjoys solitary activities in the wilderness, but is also loved by all in town—especially the children to whom he tells stories and give toys. However, a tendency to avoid all gainful labor, for which his nagging wife (Dame Van Winkle) chastises him, allows his home and farm to fall into disarray due to his lazy neglect.

One autumn day, Rip is escaping his wife's nagging, wandering up the mountains with his dog, Wolf. Hearing his name being shouted, Rip discovers that the speaker is a man dressed in antiquated Dutch clothing, carrying a keg up the mountain, who requires Rip's help. Without exchanging words, the two hike up to an amphitheatre-like hollow in which Rip discovers the source of previously-heard thunderous noises: there is a group of other ornately-dressed, silent, bearded men who are playing nine-pins. Although there is no conversation and Rip does not ask the men who they are or how they know his name, he discreetly begins to drink some of their liquor, and soon falls asleep.

He awakes in unusual circumstances: It seems to be morning, his gun is rotted and rusty, his beard has grown a foot long, and Wolf is nowhere to be found. Rip returns to his village where he finds that he recognizes no one. Asking around, he discovers that his wife has died and that his close friends have died in a war or gone somewhere else. He immediately gets into trouble when he proclaims himself a loyal subject of King George III, not knowing that the American Revolution has taken place; George III's portrait on the town inn has been replaced by that of George Washington. Rip is also disturbed to find another man is being called Rip Van Winkle (though this is in fact his son, who has now grown up).

The men he met in the mountains, Rip learns, are rumored to be the ghosts of Hendrick (Henry) Hudson's crew. Rip is told that he has apparently been away from the village for twenty years. An old local recognizes Rip and Rip's now-adult daughter takes him in. Rip resumes his habitual idleness, and his tale is solemnly taken to heart by the Dutch settlers, with other hen-pecked husbands, after hearing his story, wishing they could share in Rip's good luck, and have the luxury of sleeping through the hardships of war.

The Scarlet LetterBy Nathaniel Hawthorne

In June 1642, in the Puritan town of Boston, a crowd gathers to witness an official punishment. A young woman, Hester Prynne, has been found guilty of adultery and must wear a scarlet A on her dress as a sign of shame. Furthermore, she must stand on the scaffold for three hours, exposed to public humiliation. As Hester approaches the scaffold, many of the women in the crowd are angered by her beauty and quiet dignity. When demanded and cajoled to name the father of her child, Hester refuses.

As Hester looks out over the crowd, she notices a small, misshapen man and recognizes him as her long-lost husband, who has been presumed lost at sea. When the husband sees Hester's shame, he asks a man in the crowd about her and is told the story of his wife's adultery. He angrily exclaims that the child's father, the partner in the adulterous act, should also be punished and vows to find the man. He chooses a new name — Roger Chillingworth — to aid him in his plan.

Reverend John Wilson and the minister of her church, Arthur Dimmesdale, question Hester, but she refuses to name her lover. After she returns to her prison cell, the jailer brings in Roger Chillingworth, a physician, to calm Hester and her child with his roots and herbs. Dismissing the jailer, Chillingworth first treats Pearl, Hester's baby, and then demands to know the name of the child's father. When Hester refuses, he insists that she never reveal that he is her husband. If she ever does so, he warns her, he will destroy the child's father. Hester agrees to Chillingworth's terms even though she suspects she will regret it.

Following her release from prison, Hester settles in a cottage at the edge of town and earns a meager living with her needlework. She lives a quiet, somber life with her daughter, Pearl. She is troubled by her daughter's unusual character. As an infant, Pearl is fascinated by the scarlet A. As she grows older, Pearl becomes capricious and unruly. Her conduct starts rumors, and, not surprisingly, the church members suggest Pearl be taken away from Hester.

Hester, hearing the rumors that she may lose Pearl, goes to speak to Governor Bellingham. With him are Reverends Wilson and Dimmesdale. When Wilson questions Pearl about her catechism, she refuses to answer, even though she knows the correct response, thus jeopardizing her guardianship. Hester appeals to Reverend Dimmesdale in desperation, and the minister persuades the governor to let Pearl remain in Hester's care.

Because Reverend Dimmesdale's health has begun to fail, the townspeople are happy to have Chillingworth, a newly arrived physician, take up lodgings with their beloved minister. Being in such close contact with Dimmesdale, Chillingworth begins to suspect that the minister's illness is the result of some unconfessed guilt. He applies psychological pressure to the minister because he suspects Dimmesdale to be Pearl's father. One evening, pulling the sleeping Dimmesdale's vestment aside, Chillingworth sees something startling on the sleeping minister's pale chest: a scarlet A.

Tormented by his guilty conscience, Dimmesdale goes to the square where Hester was punished years earlier. Climbing the scaffold, he sees Hester and Pearl and calls to them to join him. He admits his guilt to them but cannot find the courage to do so publicly. Suddenly Dimmesdale sees a meteor forming what appears to be a gigantic A in the sky; simultaneously, Pearl points toward the shadowy figure of Roger Chillingworth. Hester, shocked by Dimmesdale's deterioration, decides to obtain a release from her vow of silence to her husband. In her discussion of this with Chillingworth, she tells him his obsession with revenge must be stopped in order to save his own soul.

Several days later, Hester meets Dimmesdale in the forest, where she removes the scarlet letter from her dress and identifies her husband and his desire for revenge. In this conversation, she convinces Dimmesdale to leave Boston in secret on a ship to Europe where they can start life anew. Renewed by this plan, the minister seems to gain new energy. Pearl, however, refuses to acknowledge either of them until Hester replaces her symbol of shame on her dress.

Returning to town, Dimmesdale loses heart in their plan: He has become a changed man and knows he is dying. Meanwhile, Hester is informed by the captain of the ship on which she arranged passage that Roger Chillingworth will also be a passenger.

On Election Day, Dimmesdale gives what is declared to be one of his most inspired sermons. But as the procession leaves the church, Dimmesdale stumbles and almost falls. Seeing Hester and Pearl in the crowd watching the parade, he climbs upon the scaffold and confesses his sin, dying in Hester's arms. Later, witnesses swear that they saw a stigmata in the form of a scarlet A upon his chest. Chillingworth, losing his revenge, dies shortly thereafter and leaves Pearl a great deal of money, enabling her to go to Europe with her mother and make a wealthy marriage.

Several years later, Hester returns to Boston, resumes wearing the scarlet letter, and becomes a person to whom other women turn for solace. When she dies, she is buried near the grave of Dimmesdale, and they share a simple slate tombstone with the inscription "On a field, sable, the letter A gules."

Moby-Dick By Herman Melville

"Call me Ishmael," the narrator begins, in one of the most recognizable opening lines in American literature. This observant young man from Manhattan has been to sea four times in the merchant service but yearns for a whaling adventure. On a cold, gloomy night in December, he arrives at the Spouter-Inn in New Bedford, Massachusetts, and agrees to share a bed with a stranger. Both men are alarmed when the bunkmate, a heavily tattooed Polynesian harpooner named Queequeg, returns late and discovers Ishmael beneath his covers. But the two soon become good friends and decide to sail together from the historical port of Nantucket.

In Nantucket, they sign on with the Pequod, Queequeg the more attractive employee due to his excellence with the harpoon. Ishmael, lacking any further ambition, will be a common sailor. The ship's captain, Ahab, is nowhere to be seen; nevertheless, they hear of him. He is a "grand, ungodly, god-like man" (Chapter 16), according to one of the owners, a man of few words but deep meaning, who has been in colleges as well as among the cannibals. A raggedy prophet of doom named Elijah catches the two friends on the dock and hints at trouble with Ahab. The mystery grows on Christmas morning when Ishmael spots dark figures in the mist, apparently boarding the Pequod shortly before it sets sail.

The ship's officers direct the early voyage. The chief mate, Starbuck, is a sincere Quaker and fine leader. Second mate is Stubb, a prankster but an able seaman. Third mate is Flask, dull but competent. When Ahab finally appears on his quarter-deck one morning, he is an imposing, frightening figure whose haunted visage sends shivers over the narrator. A white scar, reportedly from a thunderbolt, runs down his face and, they say, the length of his body. He has a grim, determined look. One leg is missing and replaced by a prosthesis fashioned from a sperm whale's jaw.

Ahab finally gathers the crewmen together and, in a rousing speech, solicits their support in a single purpose for this voyage: hunting down and killing the White Whale — Moby Dick, a very large sperm whale with a snow-white head. Only Starbuck resists the charismatic, monomaniacal captain; the first mate argues repeatedly that the ship's purpose should be to gather whale oil and return home safely. Eventually, even Starbuck acquiesces.

The mystery of the dark figures is explained during the voyage's first chase, long before meeting Moby Dick. Ahab has secretly brought along his own boat crew, led by an ancient Asian named Fedallah, an inscrutable figure with an odd influence over Ahab. Later, while guarding a captured whale one night, Fedallah tells Ahab of a prophecy of his (Ahab's death).

Queequeg becomes deathly ill and orders a canoe-shaped coffin from the ship's carpenter. Just as everyone has given up hope, the island aborigine decides to live and soon recovers. The coffin serves as his sea chest and later is caulked and pitched to become the ship's life buoy. Queequeg heroically rescues two drowning men in the novel; his coffin will save a third.

There are numerous "gams" in the novel, social meetings of two ships on the open sea. Crews normally visit each other during a gam, captains on one vessel and chief mates on the other. Newspapers and mail are exchanged. The men talk of whale sightings or other news. For Ahab, however, there is but one relevant question to ask of another ship: "Hast seen the White Whale?" Some have. The captain of the Samuel Enderby lost an arm to the leviathan. The Rachel has also seen Moby Dick. As a result, one of its open boats is missing; the captain's son is aboard. The captain of the Rachel begs Ahab to aid in the search, but the Pequod's captain is resolute. He is very near the White Whale now and will not stop to help.

Ahab is the first to spot Moby Dick. For three days, the crew pursues the great whale, who repeatedly turns on the Pequod's boats, wreaking destruction and killing Fedallah, sinking the Pequod, and dragging Ahab into the sea and his death. Only Ishmael survives, clinging to Queequeg's coffin. He floats for a day and a night before the Rachel rescues him.

Leaves of Grass Walt Whitman

Leaves of Grass is a collection of poetry written over Walt Whitman's entire lifetime organized thematically into sections. Whitman revised and added to the book throughout his life, the final edition being published only months before his death in 1891. Whitman was intentional in not organizing the book in any chronological way. Instead, he was concerned with the journey of the poetry. He desired that the reader would see a self formed through the words and themes of the book.

The opening section, "Inscriptions," gives the reader an overview of the work and the purview of its author. Whitman names the subject of the work - "One's-self." This is not only Whitman's self, though he certainly identifies himself as the hero of the epic, but it is also the reader's self as well as a more encompassing democratic self. The subject, then, is Whitman, the reader, and the nation. The themes of "Inscriptions" are as varied as the themes of the entire book. He writes poems of a political, social, personal, and sexual nature, all ideas that he will elaborate on in later sections.

"Starting from Paumanok" is a kind of road map for the literary work ahead. Whitman understands the entire book as a journey and so he begins with his own beginnings of self-awareness and poetic inspiration as a boy on Long Island, New York. Whitman intends here to name those that will accompany him on his journey and he catalogs a vast list of people and places that will play a part in his travels. His poems are of these people and for these people. Whitman, however, is not just concerned with the physical but with the spiritual as well. His own soul is named as a character in the book and his poems, he says, are written with the soul in mind.

"Song of Myself" is a celebration of the individual. It is one of the book's original poems, appearing in the first 1855 edition although it did not take its final form until the 1881 edition. Whitman does not call on religious methods or traditional institutions to help create his self. Instead, Whitman becomes the quintessential modern man, created through nature and created through his own journey of self discovery. In "Song of Myself," Whitman is creating his own poetic world and he is creating himself as a character within that world. He encompasses both the basest desires of the human flesh and the loftiest visions of the human soul. As he describes it, he becomes "multitudes."

"Calamus," one of the most controversial sections of the book because of its vivid autoerotic and homosexual themes, moves from a celebration of the self to a celebration of what Whitman terms "manly love." Whitman is chiefly concerned with the love that men feel for each other. He means not just brotherly love, or familial love, but sexual love as well. In "Calamus," Whitman seeks to become joined with another man in as intimate a way as possible. The relationships that men feel for each other, he believes, is incomplete until all facets of friendship are explored. It is only through these facets of love that a person can come to understand the true nature of another person and the meaning of another being. This is the basis for the democratic relationship and the purest expression of it.

In the poem "Crossing Brooklyn Ferry," Whitman moves from the interpersonal exploration of relationships to an exploration of the unity of the collective population. While observing crowds of people crossing the river from Brooklyn into Manhattan, Whitman gains a vision of the unity of all things. He knows that future generations will feel the same feelings, ask the same questions, and contemplate the same thoughts that he has while on this ferry ride. All people, in all time, are joined together in a great scheme. Whitman does not attempt to name this scheme for he is not attempting to write philosophy or theology. Instead, he only seeks for his reader to become joined with him; to understand that they are unified through time and through the page.

Whitman lived through some of the most tumultuous years in the history of the United States. He was a witness of, and participant in, the United States Civil War which lasted from 1861 to 1865. Whitman chronicles this profound historic event in the sections "Drum-Taps" and "Memories of President Lincoln." "Drum-Taps" begins with a celebration of a call to arms. Whitman sees the promise of democracy as yet unfulfilled, chiefly because of the injustice of slavery and the inability of America's population to achieve its hope of individuality. The Civil War was an antidote to this evil. As the war draws on, however, Whitman's tone becomes less celebratory. Death becomes the reality and Whitman laments at brothers killing brothers. The summation of this death is the killing ofAbraham Lincoln, the man that Whitman saw as a model of leadership and greatness. In his most famous poem, "O Captain! My Captain!," Whitman compares Lincoln to the fallen captain of a ship that has come through much trial and tribulation. He encourages the country to sing for its victory, but he admits that he can only mourn for the fallen leader.

The closing sections of Leaves of Grass seek to reassess the themes and motifs of the previous sections while continuing the journey of discovery and exploration of the self. "Autumn Rivulets" and "From Noon to Starry Nights" can be seen as a halfway mark on Whitman's own artistic and physical journey through life. He has a clear understanding and view of death, now, yet he also seeks for his own work to become inspired with the light of his previous years. In all things of nature, he understands that even death is a regeneration of life, just as autumn leaves fall and grow again in the spring. Whitman ends his work with "Songs of Parting." He is not saying a permanent goodbye to the reader, however. Even death is a part of the journey.

The Adventures of Huckleberry Finn By Mark Twain

Consisting of 43 chapters, the novel begins with Huck Finn introducing himself as someone readers might have heard of in the past. Readers learn that the practical Huck has become rich from his last adventure with Tom Sawyer (The Adventures of Tom Sawyer) and that the Widow Douglas and her sister, Miss Watson, have taken Huck into their home in order to try and teach him religion and proper manners. Instead of obeying his guardians, however, Huck sneaks out of the house at night to join Tom Sawyer's gang and pretend that they are robbers and pirates.

One day Huck discovers that his father, Pap Finn, has returned to town. Because Pap has a history of violence and drunkenness, Huck is worried about Pap's intentions, especially toward his invested money. When Pap confronts Huck and warns him to quit school and stop trying to better himself, Huck continues to attend school just to spite Pap. Huck's fears are soon realized when Pap kidnaps him and takes him across the Mississippi River to a small cabin on the Illinois shore.

Although Huck becomes somewhat comfortable with his life free from religion and school, Pap's beatings become too severe, and Huck fakes his own murder and escapes down the Mississippi. Huck lands a few miles down at Jackson's Island, and there he stumbles across Miss Watson's slave, Jim, who has run away for fear he will be sold down the river.

Huck and Jim soon learn that men are coming to search Jackson's Island, and the two fugitives escape down the river on a raft. Jim's plan is to reach the Illinois town of Cairo, and from there, he can take the Ohio River up to the free states. The plan troubles Huck and his conscience. However, Huck continues to stay with Jim as they travel, despite his belief that he is breaking all of society and religion's tenets. Huck's struggle with the concept of slavery and Jim's freedom continues throughout the novel.

Huck and Jim encounter several characters during their flight, including a band of robbers aboard a wrecked steamboat and two Southern "genteel" families who are involved in a bloody feud. The only time that Huck and Jim feel that they are truly free is when they are aboard the raft. This freedom and tranquility are shattered by the arrival of the duke and the king, who commandeer the raft and force Huck and Jim to stop at various river towns in order to perform confidence scams on the inhabitants. The scams are harmless until the duke and the king pose as English brothers and plot to steal a family's entire inheritance. Before the duke and the king can complete their plan, the real brothers arrive. In the subsequent confusion, Huck and Jim escape and are soon joined by the duke and the king.

Disappointed at their lack of income, the duke and the king betray Huck and Jim, and sell Jim back into slavery. When Huck goes to find Jim, he discovers that Jim is being held captive on Silas and Sally Phelps' farm. The Phelps think Huck is their visiting nephew, Tom Sawyer, and Huck easily falls into the role of Tom. Tom Sawyer soon arrives and, after Huck explains Jim's captivity, Tom takes on the guise of his own brother, Sid. After dismissing Huck's practical method of escape, Tom suggests they concoct an elaborate plan to free Jim. Tom's plan is haphazardly based on several of the prison and adventure novels he has read, and the simple act of freeing Jim becomes a complicated farce with rope ladders, snakes, and mysterious messages.

When the escape finally takes place, a pursuing farmer shoots Tom in the calf. Because Jim will not leave the injured Tom, Jim is again recaptured and taken back to the Phelps farm. At the farm, Tom reveals the entire scheme to Aunt Sally and Uncle Silas. Readers learn that Miss Watson has passed away and freed Jim in her will, and Tom has been aware of Jim's freedom the entire time. At the end of the novel, Jim is finally set free and Huck ponders his next adventure away from civilization.

An American Tragedy By Theodore Dreiser

The ambitious but immature Clyde Griffiths, raised by poor and devoutly religious parents who force him to participate in their street missionary work, is anxious to achieve better things. His troubles begin when he takes a job as a bellboy at a local hotel. The boys he meets are much more sophisticated than he, and they introduce Clyde to the world of alcohol and prostitution. Clyde enjoys his new lifestyle and does everything in his power to win the affections of the flirtatious Hortense Briggs. But Clyde's life is forever changed when a stolen car in which he's traveling kills a young child. Clyde flees Kansas City, and after a brief stay in Chicago, he reestablishes himself as a foreman at the shirt-collar factory of his wealthy long-lost uncle in Lycurgus, New York, who meets Clyde through a stroke of fortune. While remaining aloof from him as a kinsman and doing nothing to embrace him personally or advance him socially, the uncle does give Clyde a job and ultimately advances him to a position of relative importance within the factory.

Although Clyde vows not to consort with women in the way that caused his Kansas City downfall, he is swiftly attracted to Roberta Alden, a poor and innocent farm girl working under his supervision at the factory. Roberta falls in love with him. Clyde initially enjoys the secretive relationship (forbidden by factory rules) and ultimately persuades Roberta to have sex with him rather than lose him, but Clyde's ambition precludes marriage to the penniless Roberta. He dreams instead of the elegant Sondra Finchley, the daughter of a wealthy Lycurgus man and a family friend of his uncle's.

Having unsuccessfully attempted to procure an abortion for Roberta, who expects him to marry her, Clyde procrastinates while his relationship with Sondra continues to mature. When he realizes that he has a genuine chance to marry Sondra, and after Roberta threatens to reveal their relationship unless he marries her, Clyde hatches a plan to murder Roberta in a fashion that will seem accidental.

Clyde takes Roberta on a row boat on Big Bittern Lake in upstate New York and rows to a remote area. As he speaks to her regarding the end of their relationship, Roberta moves towards him, and he strikes her in the face with his camera, stunning her and capsizing the boat. Unable to swim, Roberta drowns while Clyde, who is unwilling to save her, swims to shore. The narrative is deliberately unclear as to whether he acted with malice and intent to murder, or if he struck her merely instinctively. However, the trail of circumstantial evidence points to murder, and the local authorities are only too eager to convict Clyde, to the point of manufacturing additional evidence against him. Following a sensational trial before an unsympathetic audience, and despite a vigorous defense mounted by two lawyers hired by his uncle, Clyde is convicted, sentenced to death, and executed. The jailhouse scenes and the correspondence between Clyde and his mother stand out as exemplars of pathos in modern literature.

Martin Eden  Jack London

Martin Eden is a 21-year-old sailor, as a result of an accidental opportunity, he has known Ruth, falls in love to her, and to her family, her life. He starts to think oneself and between Ross has the huge disparity, in order to enable oneself to match on her, he must upward crawl diligently. Ruth helps him to study writing. Martin writes 40 drafts unceasingly circle throughout in various magazine company. He dosen't understand why his own work aren't accepted, but these have a liking for the spiritless thing always to be able to publish in the publication. He looks for Ruth, reads his work to her, asks her to judge. Ruth does not appreciate his work also. After repeatedly is defeated Martin still to persist to write, which causes him and Ross has the fissure. Ruth has lost confidence gradually to him, but Martin still attacks her side upper society people. Martin see Ruth and her family clearly. Once, they participates in the time which the socialist party person assembles by a tabloid reporter confusedly is interpolated in the report, becomes the anarchism leader, encounters the isolation and besieges. Ruth leaves Martin then. The only real friend of Martin, Brissenden, is dead now. At this time, a huge change happens in his life that the publication magazine starts to use his work actually. The publishing house in order to his reputation has also accepted he all sorts of harsh requests, he became the famous writer. He can’t understand that these works all are already finish, they haven't been changed as well as Martin himself. Why does everybody flatter him today? Finally, Ruth comes back. But Martin is completely discouraged. He is so disappointed that he tells her he doesn't want to see her any more. He no longer writes a character. He leaves all his money to his sister and his laundry room partner Egypt. Then he goes on a ship and jumps into the sea.

Light in August William Faulkner

Lena Grove, a pregnant teenager, has made her way to Mississippi in search of her baby’s father. She hitches a ride into the small town of Jefferson, which is home to a planing mill. One of the workers at the mill, Joe Christmas, is a brooding, racially ambiguous man who appeared suddenly at the mill one day in search of a job. After gaining employment, he was soon joined at the mill by another man named Joe Brown. The two formed a partnership, making and selling liquor illegally, and eventually quit their jobs.

Another of the mill workers, Byron Bunch, is intrigued and unsettled when Lena Grove suddenly appears at the mill one day. He tells the town’s disgraced former minister, Reverend Gail Hightower, of his efforts to care for the girl. Soon, Lena comes to realize that the man she seeks—her baby’s father, Lucas Burch—is really Joe Brown. Upon Lena’s arrival in town, Brown is being held in the town jail after the murder of a local woman, Joanna Burden, and the burning of her home. Joe Christmas, Miss Burden’s occasional lover, is the chief suspect.

The narrative then shifts to explore several of the characters’ pasts. As a young minister, Gail Hightower secures a church in Jefferson to feed his obsession with his grandfather, a Confederate cavalryman who was killed in the town during the Civil War. Hightower’s young wife is unfaithful and grapples with mental health problems. She eventually dies in a fall from the window of a Memphis hotel room where she is staying with another man. A scandal ensues, and the Jefferson parishioners turn on Hightower, who is forced to step down.

As a child, Joe Christmas is left on the steps of an orphanage. When the facility’s dietician mistakenly believes that Joe has overheard her having sex with a young doctor in her room, she worries she will lose her job. To eliminate this risk, she threatens to expose young Joe’s biracial background and thus have him transferred to an orphanage for black children. She discusses the plan with the orphanage’s janitor, who kidnaps Joe and takes him to Little Rock, where he is found and returned, only to be adopted two weeks later by a sternly religious man, Mr. McEachern, and his wife.

Joe’s new foster father subjects him to regular beatings. As Joe grows and enters puberty, he eventually crosses paths with Bobbie, a prostitute who works as a waitress in the nearby town. When Mr. McEachern catches his son at a dance with Bobbie, a fight erupts, and Joe kills his foster father by smashing a chair over his head. Abandoned by Bobbie and her cohorts, Joe embraces a life on the run and wanders for more than fifteen years, eventually making his way to Jefferson.

In Jefferson, Joe Christmas stays in the cabin on Joanna Burden’s property, and the two quickly become lovers. Their relationship is marked by passion, violence, and long periods in which they ignore each other. Miss Burden wants a child and claims to be pregnant, but Joe is strongly opposed to the idea. After a time, Joe Brown comes to live with Joe Christmas in his cabin. Miss Burden tries to help Joe Christmas financially, but her meddling only provokes his ire. One night, he savagely attacks and kills her with a razor after she tries to fire a pistol at him in an apparent attempt at a murder-suicide.

Miss Burden’s nephew in New Hampshire offers a $1,000 reward for the capture of his aunt’s killer. Search parties with bloodhounds comb the countryside for the fugitive Joe Christmas, who eludes capture for days, running to the point of hunger and exhaustion. Lena, meanwhile, moves into the cabin that the two Joes had shared in order to prepare for the birth of her baby; Byron Bunch stays in a tent nearby.

Joe Christmas is apprehended on the streets of nearby Mottstown. His biological maternal grandfather, Uncle Doc Hines, makes his way through the crowd to curse Joe and call for his death. When the officials from Jefferson arrive to take charge of the prisoner, Mrs. Hines breaks through the crowd as well, hoping to see the face of the grandson who her husband told her died as a child. The Hineses then take the train to Jefferson together.

Byron and the Hineses arrive at Hightower’s house and reveal that Joe Christmas’s father was a circus worker who tried to run off with the Hineses’ daughter before Uncle Doc shot and killed him. Eventually, Uncle Doc placed the baby in the orphanage in Memphis where he worked as a janitor. Byron wants Hightower to lie and claim that Joe Christmas was with him, at his house, on the night of Joanna Burden’s murder. Hightower becomes angry and asks them to leave.

Lena goes into labor, but by the time Byron arrives with the doctor, Hightower has already delivered the baby. Assisting in the delivery is Mrs. Hines, who mistakenly believes that Lena is her long-dead daughter, Milly, and that the newborn is her grandson, Joe Christmas. Byron arranges to have Joe Brown sent to Lena’s cabin; upon arriving, Brown is shocked to see Lena holding his newborn son, slips out a back window, and runs away. Byron sees Brown escape and tries to stop him, but the much larger man beats Byron soundly and escapes on a passing train. Joe Christmas, meanwhile, escapes from his captors as well, while he is being led across the town square. Before long, he is tracked down, shot, killed, and castrated in Hightower’s kitchen by a bounty hunter named Percy Grimm. Afterward, the aging Hightower muses on his past and prepares for his own death.

After a road trip, a local furniture mover near Jefferson recounts to his wife how he gave a ride to a curious couple—a woman with a newborn child accompanied by a man who was not the child’s father. The couple—Lena and Byron—was halfheartedly in search of the baby’s biological father, as the man drove them deeper into Tennessee.

Lady Chatterley's Lover Summary

Connie and Clifford are married. They have a nice house—an estate, really; a not-so-nice coal mine; and a couple of big problems.

Connie is a bohemian intellectual; Clifford is a stuffy, old-fashioned English aristocrat. Cue misunderstandings and, if this were a sitcom, hijinks. Unfortunately, it's a work of modernist literature. Many fewer hijinks. World War I. Yeah, that happened. Clifford is paralyzed from the waist down, and you know what that means. No sex and no heir to the Chatterley name or estate.  They get by all right for a while. Clifford writes some really modernist, depressing stories and people like them. Modern young men and women come visit and have intellectual conversations about how bad everything is, particularly sex and love. One of these modern young men, a really vulgar Irish playwright named Michaelis, convinces Connie to have sex with him. For a while, it's awesome. She feels much better about everything, even if he kind of jumps the gun every time they get in bed together. He even tries to convince her to marry him. When she hesitates, he says some nasty things about modern women and totally harshes Connie's mellow. Now things really start to go south for Connie. She's getting fed up with an increasingly needy and dependent Clifford, so she and her sister, Hilda, convince him to hire a nurse, Ivy Bolton. Ivy is incredibly vulgar, but Clifford likes her anyway—who wouldn't like someone catering to his every whim? Around this time, Connie starts hanging out in a hut on the edge of the clearing where the gamekeeper Oliver Mellors is raising some pheasant chicks (the bird kind) to stock Wragby park. They instantly hate each other, so of course they end up having wild, passionate sex and then endlessly talking about how great their sex is, like that really annoying couple you have to stop hanging out with for about six months after they start dating. Mellors has a lot to say. He's from a coal-mining family, but he bettered himself through literature (natch) and then got fed up with modern men and women (sensing a theme here?) and decided to go back to working with his hands. He says some nasty things about pretty much everyone, and Connie eats it up with a spoon. Eventually Connie finds herself pregnant. Clifford has actually told her he'd be okay with raising another man's child so long as Wragby gets an heir, but by now she can't stand to be around Clifford. She goes to Venice with her sister and father with the intention of faking an affair with a more appropriate guy—gamekeepers are a little déclassé—and they convince her to get a friend of the family to help her file for divorce.

Back at the ranch, Mellors's estranged wife has shown up to be all nasty, the Miss Jackson kind, to him and accuse Lady Chatterley of being his lover. Clifford doesn't exactly believe it, but he fires Mellors just in case. Connie heads home, confesses, and asks for a divorce. Clifford, for some insane reason, refuses. When the novel ends, everyone's waiting: Mellors is learning how to farm and waiting for his divorce to go through; Connie is waiting for the baby to be born so she can leave Wragby; and they're both waiting for Clifford to realize he's being a giant jerk and give Connie the divorce.

Pride and Prejudice Summary

In Pride and Prejudice, Jane Austen tackles a common reality in England in the early 19th century – women who lack a fortune need to marry well. By "well," we mean wealthy. So, any guy from a good family with large, steady income is fair game on the Marriage Hunt. Rich but unintelligent, unattractive, boring men? Mrs. Bennet says, "Bring it on!" To be fair, she does have five daughters who lack a fortune. When a certain (wealthy) Mr. Bingley moves into the neighborhood and is interested in her eldest daughter, Jane, Mrs. Bennet becomes deliriously happy and (to the extreme discomfort of her family and innocent spectators) tries to push them together in every way possible.

It's not all roses and champagne just yet, however. While Mr. Bingley is easygoing and pleasant, his sisters are catty snobs whose attitude is encouraged by a certain Mr. Darcy. Good-looking, rich, and close friends with Mr. Bingley, Darcy is also insufferably proud and haughty. The Bennets are beneath him in social stature, so Mr. Darcy is proportionately disagreeable, particularly to Jane's younger sister Elizabeth. When Mr. Bingley suggests that Mr. Darcy ask Elizabeth to dance, Mr. Darcy replies that she isn't pretty enough. The two men accidentally carry on their conversation within earshot of Elizabeth. Ouch.

It's clear to everyone that Mr. Bingley is falling in love with Jane, but Jane's calm temperament hides her true feelings (she loves him too). Elizabeth gossips about the situation with her close friend Charlotte Lucas, who argues that Jane needs to show affection or risk losing Mr. Bingley. Meanwhile, Mr. Darcy has finished maligning Elizabeth, and starts becoming attracted to her (something about her "fine eyes"). In any case, Mr. Bingley's sisters extend a dinner invitation to Jane, who (based on the recommendations of her mother) rides over to the Bingley mansion in the rain, gets soaking wet, falls ill, and has to remain in the Bingley household. Elizabeth arrives to nurse her sister and engage in some witty banter with Mr. Darcy. Astonished at his attraction, he keeps staring at Elizabeth, but she assumes he's being a jerk and trying to judge her.

Back at Longbourn (the Bennet home), Mr. Collins arrives for a visit. As Mr. Bennet's closest male relative, Mr. Collins will inherit the estate after Mr. Bennet's death. Mr. Collins has decided that the nice thing to do is to marry one of the Bennet girls in order to preserve their home. It looks like he has his sights set on Elizabeth, but did we mention that he's a complete fool and worships his boss (a certain Lady Catherine)? It's clear that Elizabeth finds him repulsive.

As for the two youngest Bennet sisters, the militia has arrived in town and they're ready to throw themselves at any officers who wander their way. They meet a charming young man named Mr. Wickham, who rapidly befriends Elizabeth. Wickham tells Elizabeth a sob story about how all of his life opportunities were destroyed by Mr. Darcy, convincing her that Darcy is Evil Personified. Elizabeth readily believes Wickham's story, and also learns that Lady Catherine (Mr. Collins's boss) is Mr. Darcy's aunt. The next day, all the Bennet girls are invited to a ball at Netherfield (a.k.a. Mr. Bingley's mansion). Elizabeth is excited about possibly dancing with Wickham, and also excited to see Mr. Darcy and Mr. Wickham confront each other. At the ball, Wickham is absent, but Darcy asks Elizabeth to dance. So does Mr. Collins, whose dancing style is grotesquely embarrassing to Elizabeth. The rest of Elizabeth's family is no better: Mrs. Bennet brags to everyone that Bingley will likely propose to Jane, Mary and shows off her non-existent musical talent, and Lydia and Kitty are embarrassingly flirty with the military officers. The following morning, Mr. Collins proposes to Elizabeth, who practically has to beat him over the head before he believes her adamant refusal. We don't feel too bad for Mr. Collins because Elizabeth's friend, Charlotte Lucas, pretends to play wingman (or wingperson, if you like), but is really hunting for a proposal of her own. Mr. Collins does indeed step up, and Charlotte accepts. Elizabeth is shocked when she learns of their engagement. She has difficulty believing that Charlotte's good sense would allow her to marry such a ridiculous man. Charlotte explains, however, that she's a spinster with no prospects, and she'd rather have her own home than live with her parents forever. Basically, beggars can't be choosers.

A letter arrives for Jane. It's from Miss Bingley, informing her that the entire Bingley group has left for London. Miss Bingley also sneakily implies that Mr. Bingley is really in love with Darcy's sister. Jane is heartbroken, but goes to London with her aunt and uncle in the hopes of winning Bingley back.

Elizabeth also leaves home to visit the newly married Charlotte. Charlotte seems content. During her visit, Elizabeth receives a dinner invitation to Lady Catherine's estate, Rosings Park. While there, Lady Catherine subjects Elizabeth to the third degree, but Elizabeth takes it well. She learns that a visit from Darcy is imminent. When Darcy arrives, he and Elizabeth engage in more witty banter over the dinner table at Rosings. He frequently comes to visit at Charlotte's house, which confuses everyone since he doesn't say anything, doesn't look like he's having fun, and always stays less than ten minutes.

Meanwhile, Elizabeth learns that Bingley was going to propose to Jane but that Darcy intervened. Naturally her dislike for Darcy intensifies…which is exactly the moment Darcy chooses to propose. uring the proposal, mixed in with Darcy's "I love you" are some "I am so superior to you" comments, which, not surprisingly, don't go over so well. Elizabeth rejects him and tells him off, saying that he isn't a gentleman. She cites both Wickham's story and Jane's broken heart as the two primary reasons for anger. The next day, Darcy hands Elizabeth a letter, asking her to read it. It contains the full story regarding Wickham (he's a liar, a gambler, and he tried to elope with Darcy's underage sister) and the full story regarding Jane (Darcy was convinced Jane didn't love Bingley and so tried to save his friend from a woman simply attracted to his wealth). Elizabeth undergoes a huge emotional transformation and regrets her hasty actions. Once back at home, Lydia, the youngest of the Bennet girls, is invited to follow the officers to their next station in Brighton. Elizabeth strongly disapproves of the plan, but Mr. Bennet overrules her and allows Lydia to go off. Elizabeth's aunt and uncle ask her to accompany them on a trip to Derbyshire, which is, incidentally, where Mr. Darcy lives. They decide to visit his estate called Pemberley. Elizabeth agrees to go only after she learns that Mr. Darcy is out of town. Once at the estate, Elizabeth is impressed by its excellent taste and upkeep. Darcy's housekeeper also has nothing but compliments for her master. To Elizabeth's surprise, they run into Darcy, and, to her further surprise, he's immensely polite to her aunt and uncle. Darcy asks Elizabeth to meet his sister, who proves to be quite nice but very shy. Before we can finally tune up the violins and the wedding toasts, disaster strikes when Elizabeth learns that Lydia has run off with Wickham. This scandal could ruin the family, so Elizabeth's uncle and father try to track the renegade couple down. Elizabeth's uncle saves the day and brings the two young 'uns back as a properly married (and unapologetic) couple. When Lydia lets slip that Darcy was at her wedding, Elizabeth realizes that there's more to the story and writes to her aunt for more information. her aunt replies, Elizabeth learns the full truth: Darcy was actually the one responsible for saving the Bennet family's honor. He tracked down the couple and paid off Wickham's massive debts in exchange for Wickham marrying Lydia. When Darcy arrives with Bingley for a visit at Longbourn, Elizabeth tries to talk to him but doesn't get a chance. It seems Darcy has talked to Bingley about Jane, however, so all is well in that quarter. Bingley eventually proposes and Jane accepts. Shortly thereafter, Lady Catherine visits Longbourn and tries to strong-arm Elizabeth into rejecting any proposal from Darcy. Elizabeth gets mad – why is this woman trying to control her? – and basically tells her to get lost. Later, Elizabeth and Darcy go for a walk and the couple

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4.  ОСНОВНІ ПОНЯТТЯ ФІЗІОЛОГІЇ ГІГІЄНИ ПРАЦІ ТА ВИРОБНИЧОЇ САНІТАРІЇ 2
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8. Экономика и планирование городского хозяйства Январь 2014 г
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10. 40 неделе без осложнений
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